One of the most common denominators with top players, especially, top ranked world class senior players, is their ability to be smooth. 
Not all of them, but there are a lot of top players where you can copy & model their ability to be smooth & have that calm look to their game.
And smooth to me is a sense that you have time to complete all of the necessary fundamentals involved in:
- your initial read & react to the direction & type of your opponent’s shot,
- that you have time to move your feet to get you over to the spot on the court where you’re going to eventually execute your stroke,
- that you can trust your initial instinct to fully commit to the shot type & direction that you want to play,
- that you have time to make any last second spacing adjustments to the path of the incoming ball,
- that you have time to wait for that perfect moment when you initiate your swing,
- that you have time to allow your racket and swing path to simply pass through the ball at contact without the need to fight the ball,
- that you have time to allow the swing to finish to it’s complete finish position,
- and that you have time to recover with your footwork back to what is now the new center of the court…
Rarely do I ever feel I have that element of time when I’m a bit too frantic, a bit too concerned about the result of my swing, and certainly if I want to hurry everything to be done right now.
One of the things I practice each and every week is a sense of being smooth…
That’s right, being smooth with my feet, the way I carry my head when I move by keeping it still, and being almost artificially smooth with my swing.
For a few world class touring players, being smooth and having incredibly natural timing is an inborn gift.
Hate to be the bearer of bad news, but most of us including yours truly, have to practice this element of swing freedom.
Practice being smooth…
Do you know the difference between when you’re a bit too over anxious out there or being smooth?
Very few of us practice this feeling. For most of us, we go out there in practice and matches and just have zero awareness if in fact we’re playing the game on balance, on time, and with a real purpose of not fighting the ball at contact.
Play with a purpose of being smooth.
Check out this video…
So, this week, I want you to get out there on the court, and no matter what arena you’re playing, whether it’s practice, a lesson, a match, ball machine, even the backboard, take the first 10 minutes and be deliberate in being smooth with your visual contact (ever tell & eventually fight yourself to really watch the ball? I do from time to time and I can barely see it.), being smooth with your grip changes, being smooth & light with your feet, and most importantly, be artificially smooth with your swing tempo…
A smooth swing tempo to me is allowing the racket speed to start, pass through the ball, and finish with a tempo.
Not herky jerky, but allowing the tempo of the swing to have its own time.
Do you ever get the sense that Federer is scared to stay in the moment, in the tempo of whatever shot he’s playing?
I think most of us would agree that Fed looks pretty darn calm prior to, during, and at the finish of his swing.
We can practice this and we have to if we’re ever going to develop swing freedom.
Here are some things you can practice:
- Feel your eyes and your facial muscles being soft, not tight or tense just prior to your opponent making contact with their shot.
- Feel your hands being soft on your racket at the precise moment your opponent makes contact with their shot.
- Feel your head staying still on top of your shoulders as you react to your opponent’s shot and start your initial move over to the ball.
- Feel your height staying the same as you move your feet where you’re not bobbing up and down.
- Feel your swing tempo being smooth and not rushed or sped up at the last second.
- Begin to be aware of what things you do that make you not smooth. Practice what should be smooth…
- You get the idea, carve out specific practice time for developing better smoothness, calmness, etc.
Brent
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